Death's Quite Departure
No one tells you the truth about it because the truth is too quiet to sound convincing. They speak of gates or tunnels or choirs hidden in clouds, but maybe death is smaller at first. Maybe it begins the way evening begins in an old house. One room dims before the others. The clock keeps ticking, but farther away now, as though time itself has stepped into another part of the building. A hand loosens from the edge of the world. Breathing grows soft and uncertain. Then softer still. And somewhere beyond the reach of sight, something opens not with thunder, but with recognition.
Perhaps the dead do not vanish all at once. Perhaps they linger for a moment in the gravity of what they loved. In the kitchen, where coffee once steamed before dawn. In gardens where roses leaned faithfully toward the sun. In the chair by the window where they watched rain come slow across the yard. They may pass through those rooms one final time, touching nothing, carrying nothing, understanding suddenly how heavy living had been and how strange it feels now to move without weight. The sorrow belongs to those left behind. The dead themselves may feel only release, like setting down a suitcase after carrying it farther than anyone knew.
And then perhaps there is light, though not the kind we invented with bulbs and wires. Something older. A light that does not blind because it already knows your face. Maybe that is where the lost gather again, not as ghosts or shadows, but as the truest versions of themselves, free of pain and clocks and fear. And maybe when they look back toward us, they do not weep for us as much as whisper toward us with great tenderness: not yet, stay a little longer, there is still morning coffee to drink, gardens to tend, songs to hear through open windows. But when your own hour comes, do not be afraid. We remembered you before you were born, and we will remember you after the stars grow cold.

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